As a twelve-year-old, I found this ridiculous resolution very satisfying, and I still do. If you like physical comedy, this is a funny bit-especially when you see his attempt to restore the face with a ballpoint pen-but it's not much to hang a feature film on.Īfter some encouragement from Andy Lawrence, Bean hits upon the brilliant idea of disguising a life-sized poster of the painting as the real thing. Bean sneezes on Whistler's Mother, then accidentally dissolves her face while trying to clean the canvas. The UK version is currently appearing on Netflix as of this writing, so if you watch it, don't be surprised that the turkey gag is missing.)įorty-five minutes into the picture, the slapstick sequence that provides the movie's main plot point finally occurs, in which Mr. Bean gets his head stuck inside the turkey, but the sequence was removed from the UK release for whatever reason.
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(In the American version, this scene is preceded by a gag borrowed from a TV episode, where Mr. Only the Langley's son (Andrew Lawrence of the Lawrence Brothers) seems to like him.īean makes an ass of himself in front of David's coworkers (Harris Yulin, Sandra Oh, and Pat from Heavyweights) and creeps out his family, but David keeps his faith until Bean ruins a dinner engagement by blowing up a turkey in the microwave. Bean before they even meet him, which seems unfair, but their reaction is retroactively justified when he arrives. David's wife Alison (Pamela Reed) and daughter (Tricia Vessey) for some reason despise Mr. gallery curator who has been foolish enough to vouch for "Dr." Bean's stature in the world of art scholarship. Bean to America, and it forces other characters to interact with him as if he were a normal person.īean's foil for most of the film is David Langley (Peter MacNicol, one of our most underrated actors), the L.A. But it accomplishes two things: it brings Mr. It's a truly nonsensical setup that doesn't bother to try to justify itself in terms of plausibility or plot. Instead of firing him, the board of directors decides to fob him off on a Los Angeles art museum that needs a guest speaker to unveil its most valuable new acquisition, Whistler's Mother. Bean is a security guard at London's National Gallery whose incompetence and tendency to blow his nose loudly in front of colleagues has made him unpopular. But when your main character is a misanthropic, mumbling, bumbling buffoon who never speaks in complete sentences and has no first name, let's just say the screenplay doesn't exactly write itself. I remember watching reruns on PBS as a kid, and I loved it.
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Bean was, admittedly, a tremendously popular British comedy series that had attracted a large following on this side of the drink as well.
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Not only were they adapting every TV sitcom and cartoon that was even mildly popular in the 60s into a feature-length semi-parody movie, they were also cranking out movie versions of current TV shows that didn't quite call out for big-screen treatment. The 1990s were the era of "Preexisting Franchise: The Movie".
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